Art Brussels

When it is exploited, the original decorative or utilitarian function of a work of art does not diminish the commitment that the creator has imbued it with. Today, the artist-craftsman uses his know-how, which remains essential, to transcend it, using it in the service of a creative, innovative idea, a conviction, or a question that urgently needs to be raised.

To illustrate the relevance of the utilitarian as a catalyst for emotions but also as a vector of meaning, BeCraft has called upon five artist-members from the Fédération Wallonie-Bruxelles. On furniture designed for the occasion by Cru Atelier, they set the table of trades, reflect on a reality, and remind us of the inevitable, much like the ancient still lifes. Unlike the time when it would have been appropriate to ask why so much luxury, it is now urgent to ask why so much obsolescence and lifeless creation. Bringing an added soul, focusing on the creative gesture and the nature of creation—this is precisely the role that artist-craftsmen must play.

Through the reference to this almost Déjeuner sur l’herbe, the creators boldly place themselves within history and invite us to savour art, whatever it may be, as it should be. To savour it with the eyes, touch, and mouth—visualise the prestigious gesture of the goldsmith with Annick Tapernoux; embrace the richness of old and new textile techniques condensed on the tablecloth by Louise Limontas, designed for the event; feel the rough texture of a zoomorphic vase by Joséphine Hasard with the fingertips; taste the creamy softness of Patrick Jadot’s porcelain with the mouth.

A feast of nature where the utilitarian object and the work of art merge through the simple act of creation.